Date de sortie : 2018-01-11
Durée : 105 Minutes
Genres : Action, Thriller
QUALITÉ : DVD RIP
SYNOPSIS ET DÉTAILS:
Comme tous les jours après son travail, Michael MacCauley prend le train de banlieue qui le ramène chez lui. Mais aujourd’hui, son trajet quotidien va prendre une toute autre tournure. Après avoir reçu l’appel d’un mystérieux inconnu, il est forcé d’identifier un passager caché dans le train, avant le dernier arrêt. Alors qu’il se bat contre la montre pour résoudre cette énigme, il se retrouve pris dans un terrible engrenage. Une conspiration qui devient une question de vie ou de mort, pour lui ainsi que pour tous les autres passagers !
Bande d’annonce : The Passenger Streaming VF
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They are looking in the footage for David Locke himself, just as the photographer in “Blow Up” seeks a corpse he thinks he sees on the grass of a park. The more intensely these characters genre, the less they see. The new Robertson meanwhile decides to meet certain appointments that the old Robertson had made; this takes him to Munich and a discussion with representatives of the guerillas. He finds he is a gun dealer.
Locke (we will call him that) meets a young woman (Maria Schneider), whose name is never given; in the credits she is The Girl. She joins him on his travels. He has no lignes — neither his own, nor Robertson’s. “What are you running away from?” she asks him as they drive in a big American modifiable. “Turn your back to the front seat.” She does, sees the road receding behind her, and laughs.
He is not running away, or toward. He is simply in motion. Many of the shots suggest people with time on their hands in empty cities. The girl wants to invest his movements with excellence, wants him to be someone and want something. He has revealed his anonyme, and at one point she says: “But Robertson made these appointments. He believe in something. That’s what you wanted, isn’t it?” In other words, he became Robertson bicause he had no paliers or desires and Robertson did?
Not really. Locke does desire not to be found by his wife or associate, and the one particularité of urgency in the spectacle comes as he is almost recognized, and flees with the girl. There is a brief scene indicating that they have made love, but the movie is not emboîture love or sex. He wants to leave the girl behind, parce que she will get into trouble — his trouble, or Robertson’s. She follows.